Zbigniew Kośka – Deputy Technical Director

Zbigniew Kośka graduated from the Faculty of Architecture and Urban Planning at the University of Social Sciences in Warsaw. Since 2016, he has been Deputy Technical Director of the National Theatre.

Zbigniew Kośka. Fot. Marta Ankiersztejn
Phot. Marta Ankiersztejn / The Artistic Archive of the National Theatre in Warsaw

He began his professional career at the Chemitex Design Office in Łódź, in the electrical workshop, where he worked from 1978 to 1982.

From 1983 to 1990, he served as Deputy Technical Manager and then Technical Manager of the National Theatre in Warsaw.

On March 8, 1985, while on duty, he experienced the most dramatic moments in his professional life when a fire broke out at the National Theatre.

From 1990 to 1992, after the National Theatre had suspended activities, he served as Technical Manager at the Na Woli Theatre in Warsaw.

From 1993 to 1999, he served as Technical Manager at the Art Centre Studio – Teatr Studio in Warsaw under the direction of Jerzy Grzegorzewski.

He supervised the stage and exhibition work for the Polish exhibition at the Prague Quadrennial, the world exhibition of theatre, for three consecutive editions in 1995, 1999, and 2003.

Using the experience he gained at the theatre, in 1999 he founded "Tech-scen," a company whose primary activity was the design and deployment of technologies for cultural facilities. Since the company's founding, he has developed various designs for general stage technology, stage lighting, stage sound systems, stage manager communication systems and cinema technology for the following cultural facilities: the Shakespeare Theatre in Gdańsk, the Philharmonic in Szczecin, the Philharmonic in Gorzów Wielkopolski, the Concert Hall of the Academy of Music in Łódź, the Małopolska Gardens of Art in Kraków, the Ujazdowski Castle in Warsaw (Laboratory Hall), the Stary Theatre in Lublin, the Jaracz Theatre in Olsztyn, the Dramatic Theatre in Płock, the Polish Theatre in Szczecin, the Transformatornia in Szczecin, the Cultural Centre in Zamość, the Służew Cultural Centre in Warsaw, the auditorium of the Rzeszów University of Technology, the Krakow Opera, the Cultural Centre in Kutno, the Cultural Centre in Lubliniec, the Cultural Centre in Biłgoraj, the Polish House in Vilnius, the theatre hall at the Theatre Academy in Krakow, the Philharmonic in Wejherowo, the theatre hall at the Palace of Culture and Science in Warsaw, the Cultural Centre in Połaniec, the Puppet Theatre in Wrocław, and the Stargard Cultural Centre.

He has collaborated and continues to collaborate with numerous architectural firms, for which he has developed various designs, including Budopol in Warsaw, Studio A4 in Szczecin, Ingarden & Ewy Architekci in Krakow, Maag in Warsaw, and Autorskie Biuro Architektury Invest-Partner 6 in Lublin.

His technological designs for cultural facilities, and their resulting implementations, have received a host of distinctions and awards. Among the most important awards for the architectural design team he has been a member of are: the Mies van der Rohe Award for the design and implementation of the Szczecin Philharmonic, First Prize in the SARP competition for the Małopolska Gardens of Art in Krakow, and the Architizer A+ Popular Choice Award for the Małopolska Gardens of Art in Krakow.

He supervised the stage and exhibition work at the Expo 2000 world exhibition in Hanover, including the Polish pavilion (during its construction and the six-month exhibition period).

Since 2011, he has served as Deputy Technical Director and Technical Manager – i.e. as a deputy of the Director of Production at the National Theatre, and since 2016, he has been Deputy Technical Director of the National Theatre.

In September 2015, during the 250th Anniversary season of the National Theatre, he developed and supervised preparations for the National Theatre’s Festival “WSZYSTKO GRA” (“Everything's Great”), which included the construction of three stages with full stage equipment, four exhibition pavilions, and scenographic and exhibition structures devoted to former directors of the National Theatre in Warsaw’s Teatralny Square.

Since 2015, he has taught a course entitled "Theatre Technique and Technology" at the Theatre Academy in Warsaw; it is part of a joint course for students of the Directing Department of the Theatre Academy and the Set Design Department of the Warsaw Academy of Fine Arts.

 

  • THE POLISH THERMOPYLAE

    In his first play at the National Theatre, director Jan Klata has opted for Tadeusz Miciński's The Polish Thermopylae

  • INFINITE JEST

    Premiere staged by Kamil Białaszek. His work intersects with a legend of postmodernism, David Foster Wallace. 

  • CHARLATANS

    “When I’m not acting, life is black and white,” says the heroine of Pablo Remón’s play. Charlatans directed by Grzegorz Małecki 

  • HAMLET

    Jan Englert crowns his twenty-eight seasons of artistic work at the National Theatre with a performance of Hamlet.

  • HEAVEN AND HELL

    Although Maria Wojtyszko's play touches upon the painful subject of losing loved ones, Jakub Krofta's deft staging provides light entertainment for the whole family. 

  • OTHER DELIGHTS

    This adaptation of the novel Other Delights is the second staging of one of Jerzy Pilch's works at the National Theatre, following The Holy Father's Skis.  

  • FAUST

    Faust is a story based on an ancient legend of a scholar who yearns so much for just a moment of happiness that he makes a pact with the devil. 

  • A DREAM PLAY

    After the well-received Alice's Adventures in Wonderland, Sławomir Narloch returned to the National Theatre with another premiere – A Dream Play by Strindberg.

     

  • KING LEAR

    King Lear may be Shakespeare's boldest examination of human nature. Jan Englert will play the title role in the National Theatre's production.

  • WAITING FOR GODOT

    "What do we do now? Wait. [...] We're waiting for Godot". Piotr Cieplak directs Waiting for Godot by Beckett. Is this a classic yet? Does it still have its avant-garde power?

  • FREDRO: THE JUBILEE YEAR

    To celebrate 230 years since Aleksander Fredro's birth, the National Theatre invites you to an evening dedicated to the life and works of Poland’s greatest comedy writer. 

  • TALES FROM THE VIENNA WOODS

    Małgorzata Bogajewska directs for the second time at the National Theatre. This time she draws on Ödön von Horváth's 1931 drama.

  • THE THEATRE MAKER

    The play by Thomas Bernhard, one of the most outstanding playwrights of the second half of the 20th century. In the title role – Jerzy Radziwiłowicz. 

  • ALICE'S WONDERLAND

    Have you ever quarreled with the Time or visited a forest where things have no names? Alice’s Wonderland is a musical performance based on the famous novel by Lewis Carroll. 

  • THE MISANTHROPE

    Jan Englert stages a classic play by Molière. What is Alcest's misanthropy: an uncompromising commitment to the truth or a doomed uprising against social conventions?

  • THE DECALOGUE

    A meditation upon the moral foundations of the present – an iconic work of Polish cinema, rethought thirty-five years after its creation by Krzysztof Kieślowski and Krzysztof Piesiewicz. 

  • MARY STUART

    Grzegorz Wiśniewski returns to the classic drama about human passions interwoven in a ruthless machinery of history and intrigue.

  • MÜNCHHAUSEN FOR ADULTS

    Baron von Münchhausen lived in the 18th century and told incredible stories about himself. Maciej Wojtyszko directs his own play about the famous adventurer and mystifier.

  • Solidarity with Ukraine | Солідарні з Україною

    The ensemble of the National Theatre stands in solidarity with the Ukrainians who are fighting for the independence of their homeland.

  • PICNIC AT HANGING ROCK

    1900. On a hot, stormy day, Mrs Appleyard's boarding school residents go on a picnic near Hanging Rock. The new theatrical version of the Australian prose classics. 

  • SNAKE SKIN

    Artur Urbański directs his own play which main character is Ruth Berlau, one of Bertolt Brecht's closest associates and life companions.

  • AUTUMN SONATA

    A story about the need for love and acceptance, about an inherited emotional coldness, about the psychological costs of creativity. A theatrical version of a film script by Ingmar Bergman. 

  • MOTHER JOAN OF THE ANGELS

    A performance about the need to experience something that surpasses us. In the title role of the prioress – Małgorzata Kożuchowska. 

  • HOW TO BE LOVED

    This is the performance about love and moral responsibility for another person as well as the mechanisms controlling human memory. The dramatisation of the story by Kazimierz Brandys.


  • LUNGS

    Briliant, full of humour and touching love story of a young couple. Breakups and comebacks, passion and sex, the first important decisions and the search for meaning in a complex, modern world.


  • UHLANS

    The Museum of All-Time Polish Uhlans. Exhibits of the national exacerbation. A serious comedy in three acts about the entanglement in myths of Polishness. 


  • THE IMAGE MAKERS

    The truth about the essence of creation and responsibility in art. Director Viktor Sjöström is working on the film The Phantom Carriage, based on the novel by Nobel Prize winner Selma Lagerlöf. 

  • FOREFATHER'S EVE

    Mickiewicz's poetic drama interpreted by Lithuanian Master Eimuntas Nekrošius — theatre visionary known for his unique theatrical language.


  • KORDIAN

    The Polish nation's tragic choice: to die heroically in the name of a noble idea or live a life "making shoes for dogs"? — the alternative presented to Kordian in two parables.

  • FLEA THE SWINDLER

    Tremendous fun and great laughs – not just for kids. The antics of the Flea are directed by Anna Seniuk with the music composed by Maciej Małecki.


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